Opening Reception: Tuesday, March 7, 19:00-21:00
Exhibitions dates: March 7- April 8, 2017
Opening hours: Tuesday-Saturday, 13:00-21:00, Sunday, 11:00-19:00
Exhibition Spaces: Alt Art Space, Galerist, MARSistanbul, REM Art Space
Vahit Tuna’s one-person exhibition Psolo exhibition opens on Tuesday March 7, 2017. Tuna exhibits his recent works in four art spaces in Istanbul at the same time.
Psolo exhibition is installed in four spaces independently, proposing a name that combines the words “psyche” and “solo.”
…Psyche includes all the definitions of the personality, conscious, and unconscious, all emotions, thoughts, and behaviors. Psyche consists of systems that work differently from each other and yet are simultaneously in dialogue. The most influential force in our personality is the collective subconscious that comprises of all of the experiences of human history. Our collective subconscious directs us in defining all our shared experiences.
In this exhibition, Tuna reads the differences between subjective and objective times, distances between memory/loss and consciousness through the collective. The installing of the exhibition in four different venues encourages the viewers to re-interpret the notions work/time/distance/memory, presenting a new space of experience outside of modes of traditional exhibition viewings. Psolo exhibition draws attention to not only the visual aspects of objects, but also to the relationship between sound, body, and the psyche.
…Perhaps this piece of marble is an infinite pile of live objects or it is like a lake full of fish…
Psolo exhibition opens simultaneously at Alt Art Space, Galerist, MARSistanbul, REM Art Space on Tuesday March 7, 2017 at 4pm. The opening cocktail will take place at Alt Art Space after 6.30pm.
Vahit Tuna was born in Edremit in 1971. He studied Graphic Design at MÜGSF. He was on a scholarship at Akademie Schloss Solitude in Stuttgart (Germany) in 2002-2003 and he opened his first one-person exhibition there. Tuna participated in numerous local and international group exhibitions. He had one-person exhibitions in Istanbul at Hafriyat Karaköy in 2008 and at Depo in 2011. He lives and works in Istanbul.
Alt Art Space; Tarihi Bomonti Bira Fabrikası, Birahane Sokak No: 1 Bomonti
Galerist; Meşrutiyet Cad. No: 11 Beyoğlu
MARSistanbul; Bostanbaşı Cad. No: 10 Çukurcuma, Beyoğlu
Opening Reception: Wednesday, February 15, 19:00 – 21:00
Exhibitions dates: February 15 - April 16, 2017
Opening hours: Tuesday–Saturday, 13:00-21:00, Sunday, 11:00-19:00
Alt Art Space presents Basel Abbas and Ruanne Abou-Rahme’s most recent installation, And yet my mask is powerful, 2016, which addresses the relationship between mythology, ecology and the resistance to colonial time, imagining new possible incomplete narratives.
Along with other young people, Basel Abbas and Ruanne Abou-Rahme visited ruins of Palestinian villages, now overgrown with indigenous plants, nature reclaiming these spaces. The overgrowth, earth, plants, stones, find a way to survive and become a quiet resistance to this contested space. And yet my mask is powerful consists of two parts. Part one is a five-channel immersive video installation, with sound, and strange small objects that can be used to build or destroy a place. The content of the video is a visceral journey to the wrecks of former Palestinian towns and villages, transference of the experience of re-visiting the wrecks. The images are overlaid with a text sampled from Adrienne Rich's poem Diving into the Wreck, 1971, written from the perspective of a diver descending into the remains of a sunken ship. In the poem the diver moves towards "the wreck and not the story of the wreck / the thing itself and not the myth." With these rich metaphors, And yet my mask is powerful “confronts the apocalyptic imaginary and violence that dominate our contemporary moment, an apocalyptic vision that seems to clog up even the pores in our bodies.” 
Part two of And yet my mask is powerful, across two halls, is made up of a new sound work and an expanded collection of materials. The sound is conceived as a conversation between the artists about their trips to these ruins, “which are still alive, almost possessed despite a colonial logic. Over time, these sites are transforming, revealing a relationship between colonialism and the domination of nature/ecology/landscape, which resists this domination.”  The materials include images, books, diagrams, found objects, dried plants, rocks, and 3D printed mask-sculptures. The masks circle back to the diving-mask in the poem, becoming a symbol of empowerment, protection with mythical-power. “Neolithic masks found in the West Bank and stored in private collections are hacked and 3D-printed,” the artist duo write about the masks featured in their work, and add: “Copies circulate in Palestine, eerily akin to a black ski mask. A group of youth wears them at the site of a destroyed Palestinian village in Israel.”  For them, this intervention all comes down to an experiment in “[b]ecoming other, becoming anonymous, in this accidental moment of ritual and myth.” 
First the air is blue and then
It is bluer and then green and then
black I am blacking out and yet
my mask is powerful
It pumps my blood with power 
Special thanks to Vehbi Koç Foundation Contemporary Art Collection, from whom And yet my mask is powerful is on loan to Alt.
Basel Abbas and Ruanne Abou-Rahme (b.1983) work together across a range of sound, image, text, installation and performance practices. They have exhibited and performed internationally and founded the sound and image performance group Tashweesh. Solo exhibitions include Only the beloved keeps our secrets, The Gallery at Tyneside Cinema (Newcastle, 2016); And Yet My Mask is Powerful, Carroll / Fletcher (London, 2016); The Incidental Insurgents, ICA (Philadelphia, 2015), Office for Contemporary Art (Oslo, 2015), and Akademie Der Kuenste Der Welt (Cologne, 2014); The Zone, New Art Exchange (Nottingham, 2011); and Collapse, Delfina Foundation (London, 2009). Recent group exhibitions include House of Commons, Portikus, Frankfurt; This Sea Is Mine, Qalandiya International, Ramallah (both 2016); Political Populism, Kunsthalle Wien, Vienna; the 12th Sharjah Biennale; Lest The Two Seas Meet, Warsaw Museum Of Modern Art (all 2015); the 31st São Paulo Biennial; 10th Gwangju Biennale; Insert 2014, New Delhi (all 2014); Asian Art Biennale (Taiwan); 13th Istanbul Biennial; Points of Departure, ICA, London (all 2013); the 6th Jerusalem Show; (On) Accordance, Grand Union/or-bits.com, Birmingham (both 2012); Future Movements - Jerusalem at the Liverpool Biennial, HomeWorks 5, Ashkal Alwan Beirut (all 2010); Delfina Foundation (London), and Palestine c/o Venice at the 53rd Venice.
 Basel Abbas and Ruanne Abou-Rahme, “Basel Abbas & Ruanne Abou-Rahme: And yet my mask is powerful,” Carroll/Fletcher, accessed January 31, 2017,
 Basel Abbas and Ruanne Abou-Rahme in e-mail conversation with Mari Spirito, January 2017.
 Basel Abbas and Ruanne Abou-Rahme, “Basel Abbas & Ruanne Abou-Rahme: And yet my mask is powerful.”
 Basel Abbas & Ruanne Abou-Rahme, And yet my mask is powerful, 2016, script featured in the video installation, Vehbi Koç Foundation Contemporary Art Collection.